FILM AND FAMILY : Revisiting an early Patwardhan classic

In search of an elusive new order where religious and political intolerance would be a little less, and where frictions between classes, genders, faiths and ideologies would have to come up against the solidarity of reason, hope and compassion, Anand Patwardhan marches on with only his deliberately and consciously-chosen ‘imperfect’ camera and his conscience as his constant companions.

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